Leung ping-kwan biography

Crime story kowloon walled city

Leung Ping-kwan, (Chinese: 梁秉鈞, 12 March – 5 January [1]) whose pen name was Yesi (Chinese: 也斯), [2] was a Hong Kong poet, novelist, essayist, translator, teacher, and scholar who received the Hong Kong Medal of Honor (MH). He was an important long-time cultural figure in Hong Kong.

Sun yee on ‘Leung Ping Kwan (), a Retrospective' is a series of activities arousing public interest in Hong Kong writers, literature and poetry. This program consists of exhibition, poetry recital, poetry reading, literary talk, and creative poetry workshop.

Teddy hung 14k Leung Ping-kwan has published fifteen volumes of poems, including bilingual editions such as City at the End of Time (), Foodscape (), Clothink (), Travelling with a Bitter Melon (), Shifting Borders (), Amblings () and Fly Heads and Bird Claws ().

Triad in the philippines He is Professor of Chinese at Lingnan University in Hong Kong. He is a poet, writer and critic, interested in all aspects of culture, including photography and cinema. His first publications were translations of foreign literature in the s.

Crime story (1993) The Hong Kong poet, essayist, short story writer, literary and film critic and irrepressible cultural activist Leung Ping-kwan 梁秉鈞, was better known by his randomly chosen pen-name Yah-See (Ye-si 也斯), and by his witty post-colonial nickname PK.

Hung hon-yee Leung Ping-kwan was born in Guangdong but grew up in Hong Kong. He began writing in the s and quickly became known as the translator of foreign-language literatures and for his editorial work on a number of literary publications targeted at young Chinese readers in both Hong Kong and Taiwan.

BIOGRAPHY. 224. 226. 229. IN THE Leung Ping-kwan 梁秉鈞 (). In Lupke C, Moran TE, editors, Dictionary of Literary Biography: Chinese Poets Since Gale. p. (Dictionary of Literary Biography).

Ping-Kwan Leung was born Well-respected Hong Kong poet Ping-kwan Leung commented on the artistry and lyricism in the film. He argues that Yuwen's voice is more than just simple narration; it is rather a lyrical film form which is characteristic of modern literary ideology.